Mastering Structure In Your Screenplay: Part II – The Screenwriting Life #7
Episode Description:
If you haven’t listened to last week’s episode, jump back and make sure you’re caught up, because this week, we’re picking up at the midpoint. PLUS, as always, we answer your incredible questions, here, on The Screenwriting Life podcast! Make sure to subscribe to Popcorn Talk! – http://youtube.com/popcorntalknetwork
HELPFUL LINKS: Website – http://popcorntalk.com Follow us on Twitter – https://twitter.com/thepopcorntalk Merch – http://shop.spreadshirt.com/PopcornTalk/
Audio Podcast
JOIN TSL WORKSHOPS: https://tslwokshops.circle.so
Trey Edward Shults is an inspiration to directors everywhere — including Jeff. His debut feature, KRISHA, was a no-name psychological drama shot in his own home on a shoestring budget under $30K. Against all odds, it won SXSW, screened at Cannes, and eventually sold to A24. KRISHA stands as a beacon for anyone looking to make a personal, ambitious feature with limited resources.
Now Trey is collaborating with The Weeknd, and even though their new film HURRY UP TOMORROW feels bigger in scale, Trey’s storytelling ethos remains unchanged: center the character, prioritize emotion, and use the camera as a tool to highlight the story — not to distract from it.
Learn more about your ad choices. Visit megaphone.fm/adchoices
